Those minute details^ which, although they escape the notice of Took place in the painting and sculpture of the Italian schools, atĭifferent periods of the before mentioned interval and many of Somewhat conversant with the various changes of style which Nued for several years with great eagerness, I naturally became Turies, to the sera of their meridian splendour, under Julibs the Of their improvement in Italy, in the thirteenth and fourteenth cen« Trate the history and progress of the Arts of Design, from the dawn Purpose of collecting drawings, faithfully copied from the originalįrescoes and bassi-relievi of the early artists, with a view to illus. Visited Florence, Pisa, Orvieto, Assisi, and Siena, for the express Of my previous attention and that I had already, more than once, Schools, and especially the school of Florence, had occupied much It happened that the painting and sculpture of the early Italian Genuine specimen of the abilities of Maso Finiguerra, the Inventor Small print which, as well from its style of design and delicateįinishing, as from the imperfect method in which the impressionĪppeared to have been taken off, I was led to conjecture might be a Having, many years ago, when in Italy, chanced to meet with a PRINTED FOK JOHN AND ABTHUR AECH, 61, COBNHILI.įROM THE USE OF MANY RARE AND VALUABLE MATERIALSġ HE following work owes its origin to the circumstance of my IMVEMTION OF CHALCOORAPHY BT HASO FINIOVBRHA,
#QUIRI QUIBUMIRO LITHOGRAPH FULL#
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Full text of " An inquiry into the origin and early history of engraving, upon copper and in wood, with an account of engravers and their works, from the invention of chalcographyby Maso Finiguerra, to the time of Marc' Antonio Raimondi"
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